What a spectacular way to start the show with that giant black hat that barely allowed us see the face of the model. Clare Waight Keller brought Givenchy’s 70’s silhouettes back to the runway. She inspired in Nouvelle Vague movie posters and artists such as Helena Almaida and Ketty La Rocca, and also from the archival imagery of Hubert de Givenchy’s midcentury collections.
Everything was made in a monochromatic color palette with touches of red, brown and gold. Asymmetrical dresses, shoulder pads, exaggerated volumes and pronounced necklines. The silhouettes were mostly minimal and the pieces englobe an amazing tailoring work that make women’s body look strong and powerfull.
I loved the combination of patterns and prints composed of motifs in many ways, including dots, checks, stripes, among others and the way they mixed them is very astute.
The first pieces shown were very elegant but in a more casual way, then, in the end, night gowns full of feathers and others with fringes, began to come out. It’s a completely feminine collection with a high level of details.
For my look I wore an animal print fur jacket with leather shorts and black heels, I added red gloves and net tights. I wore free hair and a very natural makeup with nude lips.
The models walked through a beautiful garden created at Pavillon Cambon, full of trees and flowers to present the Fall – Winter collection of Ralph and Russo and let me tell you it was an unforgettable experience.
Fashion is focused in empowering females and designers are delighted in creating clothes for the strong, independent and multifaceted modern woman. For Ralph and Russo has always been important to create exactly this kind of pieces, because as Tamara Ralph said, “More than ever in history, women want to travel and see the world for themselves”. Therefore, some of the designs were inspired in Ancient Greek and other places around the world, channeling every woman’s inner explorer.
Following this global explorer inspiration this collection was composed by different silhouettes, some inspired by kimonos with large sleeves and pronounced necklines, others more casual like sweater and pants, there were also some two-piece suits, short trousers with boots, some ski sets, that by the way I’m completely in love with, and sensual lace long dresses. In fact, this collection had something for all different types of women and their styles.
I loved the fabrics: plaid wool, the smooth and patterned silks, the denim, blue military textures, black lace, floral patterns and the feathered details.
I really liked this collection because I think they covered the different phases a woman can get through during the course of our lives. There are many fabrics and silhouettes involved in the designs, some are cute, some are casual and some others are sexy.
My look for the show was a set of two pieces of top and mini shorts from the SS collection, in a beautiful turquoise color that I combined with white tights and a sweater underneath. I wore turquoise sandals and a pink purse.
Fashion Week Fall/Winter 2020 will always have a special and cherished place in my memories, among a lot of other reasons, because this season has been full of “first times” for me and today I had the opportunity of experience another one: the Loewe show. It was presented at Maison l’Unesco, a very clean space with black and white floor, the perfect background for this runway. Honestly, I was very excited to witness this show because lately Jonathan Anderson has been making very interesting and progressive proposals with his designs. He’s been challenging and changing women’s fashion playing with the proportions and building new shapes.
He’s always trying to reinvent himself and his creations, innovating at every step and composing something that nobody has ever seen before, and as difficult as this may sound, Jonathan Anderson nails it with every collection he presents. This season, the collection was full of details inspired by the Spanish house’s roots with flamenco motifs and surreal details, there were also pieces of royal inspiration such as the large feathered hats that complemented perfectly the elegant and luxurious style.
He exaggerated the unconventional details to transform the female silhouette. Long dresses with big ruffles that gave volume on the chest and the hips, inflated sleeves, layering and color cuts in coat. I absolutely loved the pants with ankle straps and the extra long sleeves.
Bags and accesories have always been an essential part of Loewe’s designs and in this collection I loved the different non conventional shapes of the bags, as some of them were triangular, or maybe Loewe’s shapeless features.
For this show I wore a white sweater with purple fur on the neck combined with black leather pants tied with ankle straps that made a lot of volume, strappy sandals and an amazing lime hat.
After some seasons in which I haven’t attended the Balmain show, today I can say the show was spectacular!
Olivier Rousteing was inspired by his personal life, as an adopted he has always been asking questions about his roots, heritage and adaptation in society. Therefore, he created an inclusive collection that, no matter where you come from you’ll fit in. This is also the subject of his documentary “Wonder boy”, nominated for best documentary at the Cesar Awards.
I loved the way the models walked through the catwalk with a solid equestrian vibe collection. It’s balmain’s army, they came out of the arches in groups of three or four models at the time.
Classy structured silhouettes in long camel capes with golden buttons, classic Balmain blazers in several colors and variations. The trends are all about layering and lots of hanging fabric. Of course, Olivier couldn’t miss the characteristic shoulder pads that give a stronger look to who’s wearing them, lots of pleats in the clothes and, as well as in the shoes, he plays with draping and emphasizes women’s body in a positive way.
The collection began with casual looks and, as it went by, some evening dresses started to come out with many details, such as maximized ruffles, sleeveless, short skirts with large volumes in red and black colors.
The accessories are stunning pieces that gave the collection a wow effect, the large bags with the letter ”B” printed in the middle, up-to-the-knee leather boots in many colors and what about those huge belts with golden chapes? I need them assap!
For me, this collection makes women feel stronger and empowered, I love all the amazing details and the color palette that Olivier chose in classic fall colors such as camel, whites, green, brown and orange.
Maria Grazia characterizes for constantly promoting feminism and for transforming one of the most demurely feminine houses into one of the most outspokenly feminist, one of the most recent examples is adding phrases like, the now iconic: “We should all be feminists” or “Why have there been no great women artists?” in her designs, and these phrases have resonated deeply with a lot of us.
For Dior’s fall 2020 runway, the inside of Jardin des Tuileries was full of big neon signs with phrases such as: “Consent,” “Women Raise the Upraising,” “Patriarchy = Climate Emergency,” and “Feminine Beauty Is a Ready-Made”. These signs were created by a collective of feminist artists called Claire Fontaine, their installations, videos and artworks are inspired by Marcel Duchamp’s work and are characterized by a solid way of telling the truth.
For Maria Grazia, creating a collection with feminist statements goes beyond expensive clothing. Her goal is to spread her message throughout the world and provoking a discussion long due. This collection is a personal diary of Maria Grazia’s teenage life in the 70’s, when the marches for what women decided to wear became politicized. It’s totally an artwork.
I had a the most amazing experience at Dior’s show, as they invited me to backstage where I met Peter Philips (the creative director of Dior makeup), who talked to me about his inspiration for this collection, they wanted to show a very natural skin, without highlight or glow. Just a rough look. The emphasis was on the model’s eyes, playing with different eyeliner’s intensities.
If you saw my Instastories, you were able to see this backstage’s apparent craziness and I say apparent because in reality, a lot of organization and commitment are necessary for the whole team working behind the scenes to make everything work out perfectly and having an extraordinary show.
The collection itself, reflected Dior in a very relaxing and informal style, yet refined. The pieces were meant for any occasion, mostly casual wear.Net tights, combat boots, layering between the clothes and the accessories, ties and necklaces mixed together, see-through fabrics that showed Dior lingerie underneath, plaid skirts and blazers that reminded me of a preppy style, denim pants and jackets, more casual pieces like bomber jackets, bags and pants in military textures and for the last pieces some long night dresses with fringes and transparencies.
The color palette was in dark colors like blue, black, green and gray, some of the pieces have more colorful details in orange and red. I loved the hair looks with patterned scarves tied to the head in a very casual and breezy way.
I wore a total Dior look, a long navy-blue dress with a belt, long net shoes and a beautiful crossbody bag with golden details. I did a very natural makeup with red lips and for my hair, I chose a high bun with a heart pin as a detail.
As what it seems to be a tradition, at the foot of the illuminated Eiffel Tower we all sat to appreciate the new collection designed by Anthony Vaccarello. What a thrill!
The runway was completely dark, no lights. The models began appearing, one by one illuminated by a white circle-shaped light that followed each model as they walked by, and then they disappeared.
Undoubtedly, the showstoppers tonight were the tight latex materials in blouses, trousers, dresses and up to the knee boots that where combined with large and oversized pieces on the top. Vaccarello gave this collection a feminine and sensual style, emphasizing the female silhouette, and what better example than the mid-calf dresses with very subtle ruffles. Some other pieces were so tight that they appeared to be painted on the model’s skin.
In total contrast with the catwalk, that was completely black, Anthony proposed a way less sober color palette than what we are used to, rather a colorful one in purple, pink, berry, green, orange and ochre gold, all mixed and matched in the outfits. I was surprised not to see a lot more of black, but it was a pleasant surprise.
Details are an essential part of every look and I loved the black heels with ribbons tied to the ankles, big necklaces of golden chain, ruffles around the necklines in dresses and blouses, everything was on point.
As usually during fashion week, I was running late for this show and when I was putting on the dress my zipper got stuck, and there wasn’t anything any of us could do to unstuck it and sadly I couldn’t wear it. Fortunately, I had a plan B: I wore a white silk dress with feathers, matching tights and stilettos with glitters on the heel and I absolutely loved it! For my makeup I wanted red lips and wore YSL Tatouage lip stain, for my hair a I did a high bun. What do you think about my plan B look?
Last day of Milan´s fashion week was insane due to the coronavirus, it was a pity that many events were cancelled among them Giorgio Armani’s show. However we all agreed that health and safety issues are of the utmost importance and as unexpected as that experience was, I’m sure that all the people from Italy and specially those in the Lombardy region, will get through this.
Hugo Boss decided to present his show and it was completely spectacular. It’s very exciting to see the trends that are coming for the season and the strongest ones are fringes literally everywhere! And Boss didn’t stood behind showing big bags with fringes that dragged to the floor, Ingo Wilts’s proposal included also multiple textures in fabrics, layering with the clothing, oversized blazers, fluid silk mono-color cocktails, maximized coat flaps and draped details in necks.
I really loved the long grey coat with fringes on a side, fringes give a beautiful dynamic effect in clothes as they move from one side to another. I also loved the color palette which was divided in waves of total color looks such as navy blue, black, beige, an amazing bright orange that made the collection stand out. And what about that purple light that matched the runway? All these elements, along with the perfect ambience provided by the live orchestra, made this a memorable show.
Every time I think of Hugo Boss, I think about a classic and elegant style, very suited for days at the office. And this season I’m surprised about the color proposals in which they added purple to total men’s looks.
I think is innovative the way Wilts took exercise clothes as an inspiration and created more formal looks as the two piece suit with short pants. If this show made something completely clear for me is that fashion is all about transitions but always preserving the brand’s essence and once again Boss nailed it!
This fashion week’s central inspiration has been without a doubt female strength, intelligence and capabilities, and Ferragamo’s show wasn’t the exception. Paul Andrew wanted this collection to be a kind of tribute to strong iconic women such as Virginia Woolf, Nancy Pelosi, Nina Simone, Beyoncé and Michelle Obama, among others. Did you know that he read Carl Jung’s theories on women archetypes? These are the queen, the mother, the lover, the sage, the maiden, the huntress and the mystic. All these archetypes describe models for women’s behavior and influence the way we think and act.
Fashion houses seem to be united this season in recognizing what’s important for the contemporary woman: our right to be acknowledged as a vital part of society. As you know, I’ve always seen fashion as a form of expressing yourself and in the Ferrgamo’s show I could see how Paul Andrew gave life to these thoughts through silhouttes based on classic custom suits for men with a twist on details such as fringes, chains, lingerie elements and crochet technique.
There was a wide variety in the pieces presented, from modern working clothes in sober colors, that for sure will be trendy this season, to long skirts with fringes and small tops underneath the transparent shirts that only covered the boobs, that can make a woman feel enpowered. Andrew also introduced total looks in leather pieces in a very cool way, some green large coats, jumpers, super high waisted pants and long dresses.
I felt very comfortable in my total white look, a leather mini skirt, a backless sweater, socks and the new and lovely viva flats. For my hair I did a super high ponytail with a wrapped ribbon and for my makeup, I decided on a natural look with pink lips.
Clothes define ourselves and I’m totally convinced we should feel comfortable with what we wear, regardless of trends, we should always feel free and choose what best suits us and makes us feel amazing. I love Andrew’s concept and the wide variety of options proposed this season, combat boots and elegant sandals because I always want to have both on my closet and I guess that a lot of women feel that way too.
We all know Versace’s trademark in its shows has always been audacity, empowerement, excess and seduction, and in last night’s show Donatella didn’t disappoint: for the first time she decided to combine the women and men shows. She started the catwalk with male and female models in all-black outfits, and this mixing of female and male models kept us.
True to Versace’s essence, Donatella included different and excentric prints: animal, floral and metallic, all mixed together. All I could think of was about the Renaissance with all the classic chainmail and gold color.
Although it was hard to get over the appearance of Jennifer López last season, Donatella surprised us this time with a big screen in the middle of the runway in which her laughing face appeared multiplied.
I wore a very colorful look composed by an orange tailored suit with large pants combined with a green crossbody bag and blue shoes. I wanted to reflect the Versace’ essence by wearing many colors and details, therefore, I wore a large scarf on the back of my head and a pink hat with Gianni Versace’s name on the side.
Lately, Bottega Veneta has become one of my favorite brands. I love the way Daniel Lee has established the DNA of the fashion house with distinctive pieces that make anyone recognize it without looking at the label. He has transfomed the brand in a positive way by making many people obsess with his amazing designs. He is an expert working with leather and weaving techniques. The main features of Bottega are the construction of the pieces, the quilting technique and the exaggerated sizes.
The collection consisted of square – quilted coats and long vests in different dimensions, moto boots and quilted shoes for men and women, looks in total monochrome leather, maxi chain necklaces, bags for men, golden chain details in necks, maxi sleeves, pants and dresses completely covered with glitter, accents of color in electric yellow, pink, green and leather and fur fringes in different sizes. I’ve seen fringes everywhere this season, in bags, skirts, dresses, everywhere!
I love the way the designer experimented with structures and sizes. What do you think about the maxi totes? It’s surprising how fashion goes from one extreme to another, speaking of bag trends, some seasons ago we were in love with the mini and nano bags, but for now it seems that giant bags are replacing them.
The venue was covered with a transparent tent and the seats were decorated with a maxi intreccio pattern made with leather that combined the collection.
I was very excited to attend this show for the first time, I mixed and matched animal prints, wearing a leopard coat with zebra shoes, a silver maxi chain collar and a black bag with a big chain as well.