The models arrived at first with black and white tweed jackets that step by step they
became into large mohair sweaters styled with wrinkled gloves and I ́m pretty sure that
underneath there was a knife over-the-knee Balenciaga like boots from the same
material as the gloves. The boots and the gloves were a beautiful and contrasting detail
that completed the collection in almost every way.
One of the most remarkable looks was a bright white dress splattered with little roses
on it, adjusted by the waist with a white band from the same material as the dress. This
dress gave the illusion of depth as the fabric moves with the body it creates wrinkles
that made the fabric look darker with every move the model make, a beautiful visual
This collection was a Guess Who? – ying yang game and here’s why; at first sight it all
seem a little sober but If you see one by one how the models were arriving to the stage
and pay attention to the styling it all make sense. Most of the collection was made
around black, Prussian blue, caramel and white and almost every fabric were vynil, silk,
mohair and oversized silhouettes.
The styling and colors were centered in pairs and triads as the models arrived
depending on the color and textile palette with some exceptions, for example after the
white dress that I described earlier, it arrived a contrasting pair but instead pearlish
color boots…they were black with the same rose pattern as the white dress, why?
Because this one doesn’t cover the neck, arms or cleavage, so in this case the model
skin play the role of the pearl boots.